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The Taylor company returns to Lincoln Center with four premieres and a new resident choreographer: Robert Battle, the former director of Alvin Ailey.
Carolyn Adams, the Paul Taylor dancer turned educator, is being honored at the company’s gala with a new solo by Robert Battle, her former student.
Netta Yerushalmy’s “Movement” at N.Y.U. Skirball comes from a patchwork of sources: TikTok, television, marching band practice and more.
At the Brooklyn Academy of Music, Bill T. Jones’s “Still/Here” returns, free of the AIDS-era context in which it premiered.
Curtis Small took his place in front of the video camera as an ethereal portrait of his son K’Sean lit a screen on the wall behind...
The fall season wrapped up with an excellent program featuring works by Balanchine and Ratmansky, as well as a celebration of Justin Peck’s 10th year as...
Two dancers from the Ailey company perform part of “Night Creature” on the roof of the Whitney Museum, where the choreographer is the subject of a...
Jeroboam Bozeman and Rennie Harris’s careers have wound through street and concert dance. The two shaped the movement in “Once Again (for the Very First Time).”
The young boy couldn’t resist the dance moves he saw being performed around him: the rapid foot taps, the ligament-spraining knee twists, the torso shimmies, all...
British jazz band Ezra Collective's follow-up to their Mercury Prize-winning album is another joyous celebratory collection.
