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The ballerina is leaving the company in February after 25 years. She will dance the lead in “Firebird” in her final program.
Widely considered America’s first prima ballerina, Tallchief is being celebrated by New York City Ballet, where she was a Balanchine muse, in her centennial year.
Trucks, buses and cars rumbled overhead, drowning out Marcus Azevedo’s voice. In the distance, sirens blared and exhaust pipes backfired. From under a highway overpass, Mr....
Writing for The New Yorker, she was both admired and feared, wielding a sometimes merciless pen. Her study of Fred Astaire and Ginger Rogers drew accolades.
Hope Boykin’s “Finding Free” and Lar Lubovitch’s “Many Angels” aspire to find higher ground at New York City Center.
Once-in-a-generation ballerinas, topical works that transcended politics and a voguing “Cats” were highlights of the year.
Athletes did the awkward little shimmy to troll an imagined establishment. No one’s taking the bait.
The film argues that Loie Fuller was an inventive artist responsible for things we take for granted. If only the movie were as creative as its...
In “No President,” Nature Theater of Oklahoma creates its version of a story ballet, one burpee at a time.
She is transcendent and glowing: a mysterious woman in white. Standing center stage in a bandeau top with a strip of transparent fabric hanging down her...
