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6 Performances Our Classical Critics Can’t Stop Thinking About

Watch and listen to symphonies by Mahler, a new opera by Missy Mazzoli, Ray Chen’s take on video game music and more.

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The New York Times’s classical music and opera critics attend far more performances than they review. Here are some that hooked them during the past month.

Mahler Firsts

BARONE True. I saw the Eighth at the Boston Symphony Orchestra, and it was mind-boggling to witness how much money it must have cost. This piece calls for eight vocal soloists, all of which were luxuriously (though imperfectly) cast, two standard choirs and a children’s choir. Mahler described it as having a Barnum & Bailey quality, which I don’t see as an advantage. At Symphony Hall, the opening felt as though it couldn’t have been anything other than an impenetrable wall of sound.

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