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Meyerbeer, one of the 19th century’s most popular composers, is out of fashion today. But his work is receiving a rare revival at Bard College.
Gregory Spears and Tracy K. Smith’s new work about an ambitious minister’s rise in the 1980s is that rarity in contemporary music: an original story.
Teatro Nuovo is giving Carolina Uccelli’s pioneering “Anna di Resburgo” its first performances since its premiere in 1835.
The new Music Director of the Paris Opera is aiming to attract a younger audience to opera with a little help from accessible tickets and wicked...
Historians try to be precise, so it is awkward to admit that I can’t recall exactly when I first noticed the existence of an opera by...
The Met is approaching prepandemic levels of attendance. But its strategy of staging more modern operas to lure new audiences is having mixed success.
“The Comet/Poppea” radically pares down a classic and blends it with a premiere by George E. Lewis for an original show that will travel widely.
Italy’s government pulled out all the stops to celebrate one of Italy’s most important national art forms.
The Cleveland Orchestra’s staging of Mozart’s “The Magic Flute” was a reminder that ensembles can help fill the gap as opera grows harder to find.
The countertenor Anthony Roth Costanzo stars in a revival of Mark Morris’s witty, sensitively choreographed production.
