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“The Comet/Poppea” radically pares down a classic and blends it with a premiere by George E. Lewis for an original show that will travel widely.
Influencers who have guided players through an unforgiving world are powering anticipation for the video game’s next chapter, Shadow of the Erdtree.
Maury Yeston’s score, stupendously played and sung, is the star of the final production of an excellent Encores! season at New York City Center.
After decades of the league having avoided the issue, Commissioner Adam Silver said what most people knew all along: It is Jerry West in the league’s...
Anxiety meets Joy in Pixar’s eager, predictably charming sequel to its innovative 2015 hit. Sadness is still around, too, as are Fear and Disgust.
At the prestigious fair, doing business at what one mega-dealer calls a “more human pace” can just mean “slower” for smaller galleries.
The institution, Seattle’s pre-eminent repertory theater, says it is making the cuts so it can focus its resources on productions.
The magazine’s Ethicist columnist on whether a co-parent’s wishes should matter to a pregnant woman.
Ashley R.T. Yergens’s “Surrogate,” premiering at New York Live Arts this week, explores how trans men experience pregnancy and I.V.F.
From her start in the yé-yé 1960s to the depths she plumbed as a singer-songwriter, Hardy, who died Tuesday, continued to entrance new generations of listeners.
