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The 19th-Century Country Houses of Europe’s Jewish Elite

A lavish photo book collects images old and new of elaborate estates, manors, chateaus and Schlosses in the European countryside.

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“To enter into high society,” Benjamin Disraeli wrote, “a man must either have blood, a million or a genius.” As soon as he was able to convert his own genius into power and fortune, the future British prime minister — who’d been raised by Sephardic Jews in London — bought Hughenden Manor, a “gentleman’s residence” on 750 hilly acres in the English countryside. Financially, Disraeli could barely afford to buy the place; politically and socially, he couldn’t afford not to. A house and lands were the necessary props to his ambitions.

A view from Schloss Freienwalde, the country house of the industrialist and politician Walter Rathenau in eastern Germany.Credit…Hélène Binet
Hughenden is laden with portraits, both painted and sculpted.Credit…Hélène Binet

Hughenden is one of the case studies presented in JEWISH COUNTRY HOUSES (Brandeis University Press, $60), an ambitious catalog of properties across Europe, ranging from the French chateau to the Italian villa to the Polish dwór to the German Schloss, inhabited by 19th-century moguls in such industries as textiles, finance, sugar, opium, coal. The flexible category proves a rich source of material in scholarly essays collected by Juliet Carey and Abigail Green, with archival imagery and moody photographs by Helene Binet.

The inspiration for Horace Walpole’s 1764 Gothic novel “The Castle of Otranto,” England’s Strawberry Hill House became the home of the heiress Frances Braham, a.k.a. the Jewish Lady Waldegrave, in 1846.Credit…Hélène Binet
The British banking scion Ferdinand de Rothschild built the Parisian-inspired Waddesdon Manor in 1874, on land he acquired from the Duke of Marlborough.Credit…Hélène Binet

Among images of gilded staircases and wedding-cake ceilings — and Baron James de Rothschild’s 1862 Château de Ferrières, “a hodgepodge of all styles” that incorporated the innovation of central heating — are stories of gardens flattened by war, homes looted, art collections confiscated by the Gestapo. The book is at ease with its air of inquiry: When we speak of Jewish country houses, are we discussing an architectural phenomenon or something more abstract — landownership as a symbol of national identity, of emancipation, of exploitation, of assimilation? The book’s reply: “Yes.”

Eugene Lami, “The Louis XVI Salon of the Château de Ferrières,” c. 1865.Credit…via Christie’s
The exterior of Schloss Freienwalde.Credit…Hélène Binet

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